Drum Café Up-to-date Drum Café News Releases http://sandbox.46.marqui.com/news/rss.xml en-us Tue, 06 May 08 03:52:00 UT Tue, 06 May 08 03:52:00 UT http://www.drumcafewest.com/news/rss.xml Marqui 4.9 webmaster@marqui.com <![CDATA[San Marcos Daily Record - Convocation with a beat.]]> http://www.drumcafewest.com/news/news08280901.aspx
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Published: August 28, 2009 10:39 am    print this story   comment on this story 

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Convocation ... with a beat

By Iris Campbell
San Marcos CISD

Music is an international language, and drums are effective forms of both communication and connection. On a primal level, the rhythm of drums mimics a human heartbeat.

The staff of San Marcos CISD experienced all the above – and more – when the international program called The Drum Café opened the annual convocation event.

Those who watched the Beijing Olympics, saw that the Drum Café opened the games, playing to one billion people in the television audience. The group has performed for royalty, presidents, Hollywood celebrities and political leaders from over 20 countries and 20,000 events.

All 1,200 persons in the convocation audience were provided an authentic African drum. By listening to the team building team and interacting, soon more than a thousand drums were playing complicated beats in unison. Barriers were broken, playing fields leveled and non-verbal communication began. The Drum Café leaders said that the “unifying experience creates the perfect platform for teams to experience the power of all working together to achieve a common objective.”

The Drum Café began in Johannesburg, South Africa in 1996, in an actual café where drumming was used in a relaxed atmosphere to inspire and bring people together. Twelve years later, it has become somewhat of a phenomenon worldwide. Founder Warren Lieberman says on the group's Web site, “Drumming is something everyone and every culture can relate to. The first thing you hear when you come into this world is your mother's heartbeat. Drumming relaxes, energizes and motivates in a way most team building companies cannot explain.”

San Marcos High School students Irene Morse and Miguel Arredondo served as emcees of the Convocation.

Superintendent Dr. Patty Shafer stepped to the podium to surprise Morse with the presentation of a special award from Texas Governor Rick Perry in recognition of her winning a state-level competition last spring.

Shafer later recognized from the podium all of the SMCISD campuses and departments, including the new campuses this year of Irene K. Mendez Elementary, Maria Hernandez Elementary and the Phoenix Learning Center. “Exemplary” banners were presented to Bowie Elementary, Crockett Elementary, and De Zavala Elementary and a “Recognized” banner was awarded to Travis Elementary.

At the conclusion of Convocation, Shafer said, “This exercise with the Drum Café and our staff brings home an interesting paradox: First, the importance of diversity and the value of every person's unique, individual contribution. And at the same time, we were reminded that the whole is greater than the sum of all its parts. I feel confident that all the individual talents of our dedicated SMCISD staff will come together this year to produce a harmonious whole: an outstanding academic year for our children.”

The special program was made possible by a group of donors who paid for the team-building activity, i.e.: Linebarger Goggan Blair & Sampson, LLP, J.R. Inc. (Jesse Rodriguez), Pfluger Associates Architects, Bartlett Cocke General Contractors, Escamilla & Poneck, Inc., First Financial Capital Administrators, First Southwest Company, and the firm of Walsh, Anderson, Brown, Aldridge & Gallegos, P.C.






Photos


Members of the musical group Drum Café perform for 1,200 San Marcos CISD staff members at San Marcos High School during convocation. SMCISD photo/ (Click for larger image)


SMCISD photo/ (Click for larger image)


SMCISD photo/ (Click for larger image)


SMCISD photo/ (Click for larger image)

 

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August 28, 2009
<![CDATA[Drumming up support for the McMaster Community Campaign]]> http://www.drumcafewest.com/news/news11110801.aspx


2008-2009 Community Campaign Committee pictured from left to right: Judy Major-Girardin, Jason Cole, Marvin Gunderman, Román Viveros-Aguilera, Vivian Lewis and Lynda Bentley Poole.

2008-2009 Community Campaign Committee pictured from left to right: Judy Major-Girardin, Jason Cole, Marvin Gunderman, Román Viveros-Aguilera, Vivian Lewis and Lynda Bentley Poole.

The $400 million campaign is the most ambitious in the University's history and focuses on bolstering the many elements that make McMaster great: the faculty and staff who impart knowledge and encourage innovative learning, the groundbreaking research, the state-of-the-art facilities, and at the heart of McMaster, the students.

The McMaster Community Campaign provides faculty and staff an opportunity to support these important initiatives with a personal gift. Annual support from faculty and staff is vital to ensuring the University's students, staff and faculty reach their ambitious goals. Past gifts from faculty and staff have helped augment a wide range of initiatives including financial aid, research and construction.

The goal of the 2008-2009 Community Campaign is to receive donations from 25 per cent of faculty and staff before April 30, 2009.

"As faculty and staff, we know from firsthand experience the impact that a scholarship or bursary, or access to a new learning style, or the availability of a critical resource can have on a student's university career, says Judy Major-Girardin, associate professor in the School of the Arts. "Making a donation is one of the avenues we have at our disposal to help enhance these opportunities and ensure success is possible."

Major-Girardin joined forces with five other staff and faculty as part of the 2008-2009 Community Campaign Committee. The committee was established to share their messages of support throughout the campaign and to ask colleagues to join them in this initiative.

The 2008-2009 Community Campaign Committee includes:

  • Jason Cole, Director, Human Resources Integrated Strategies, Human Resources Services

  • Vivian Lewis, Associate University Librarian, Organizational Analysis, Plannning & Accountability

  • Marvin Gunderman, Technical Coordinator, Insect Taxonomist and Instructor, Department of Biology

  • Lynda Bentley Poole, Assistant Professor and Level 1 Chair School of Nursing

  • Román Viveros-Aguilera, Professor and Coordinator of the Graduate Program in Statistics, Department of Mathematics and Statistics

  • Judy Major-Girardin, Associate Professor, School of the Arts

  • Gifts may be designated to any area that McMaster faculty and staff feel passionately about, whether that is The Campaign for McMaster University, a faculty project, scholarship and bursaries, cancer research, the list goes on. Strong support from McMaster's faculty and staff sends a positive message to the University's alumni and friends as they consider making a personal gift to McMaster.

    Gifts can be made conveniently and securely on-line at givetomcmaster.ca.


                             


    ]]>
    November 11, 2008
    <![CDATA[Corporate Bands Emerge as Executives Turn to Music for Team-Building, Stress Relief and Fun]]> http://www.drumcafewest.com/news/news10100801.aspx

    View the online version

    "We're seeing now more than ever a drive in the American workplace toward greater teamwork and team-building, not only in the boardroom but also in the formation of corporate bands," said Joe Lamond, President and CEO of NAMM, the international trade association for the music products industry. "These are groups of individuals who work hard together and then at the end of the day, they're picking up musical instruments to blow off steam, develop stronger relationships and have fun."

    Music has often been shown to encourage the development of interpersonal communications skills, enhanced problem-solving capabilities and a greater ability to work as a team. Additionally, making music is now becoming a more heavily integrated part of the work/life balance as many companies look to bolster morale and encourage creative thinking.

    "More than 82 percent of people who don't currently play an instrument wish they did," said Lamond. "That number is astounding; what we've learned with the abundance of new corporate bands emerging is that people are realizing later in life that it's never too late to pursue a passion or try something completely new. Corporate bands are bringing together people of all ages, backgrounds and talent levels, acting as a successful retention tool for companies and an added benefit for employees."

    As members of the latest corporate bands prepare for retirement, there is no sign of slowing down. There has been an increase in music-making among baby boomers and according to a recent Harris Poll funded by NAMM, more than 40 percent in this category believe playing an instrument has helped reduce stress.

    More than 35 percent of people claim to lack natural talent to play and that prevents them from learning. NAMM has created a program called Wanna Play? geared entirely toward changing the perception that you have to be a classically trained musician to enjoy the benefits of playing music. From age 5 to 85, people are picking up instruments to bond with friends, family and colleagues and the health benefits are music to their ears.

    "Playing music with my colleagues has definitely helped to bring us together and make our band a more tight-knit unit at the office," said Sarah Greene, an executive at Boston-based Enernoc who makes music with her colleagues in the corporate band, Enerock. "We work hard all day and making music together helps us have a little fun and unwind."

    NAMM's Wanna Play? Campaign

    NAMM's nationwide Wanna Play? campaign is dedicated to increasing awareness of the proven benefits of playing musical instruments for people of all ages. Since the campaign's launch in November 2006, more than 24 million people have heard the message of why it is important to play music through national public relations efforts by the association. In addition, Wanna Play? has the support of 34 celebrities so far, including campaign ambassador Gavin DeGraw, Ashlee Simpson, Taylor Swift, Robert Downey Jr., John Taylor, and The Band from TV. For more information and to get involved, interested parties can visit www.wannaplaymusic.com.

    About NAMM

    NAMM is the not-for-profit association that unifies, leads and strengthens the $17 billion international musical instruments and products industry. NAMM's activities and programs are designed to promote music making to people of all ages. NAMM is comprised of approximately 9,000 Member companies. For more information about NAMM or the proven benefits of making music, interested parties can visit www.namm.org or call 800-767-NAMM (6266).

    SOURCE: NAMM



    ]]>
    October 10, 2008
    <![CDATA[Drum Cafe Kicks off the Beijing Olympics 8 August 2008]]> http://www.drumcafewest.com/news/news08080801.aspx Drum Cafe Dazzles at Beijing Opening Ceremonies

    SABC News Release

    The world was in attendance via satellite television for what was revered to be the most elaborate opening ceremonies in history last Friday. Among the acts, Drum Cafe's interactive performance team was proud to lead in atheletes from South Africa's olympic and paralympic teams. 

               

    "Nothing brings together a crowd like the sound of rhythmic drumming; it really helped to build excitement and anticipation for the audience and the athletes. Our message has always been to unite, uplift and inspire, and it was great to be a part of the ultimate representation of that; the opening ceremonies for an olympic games. It was a very magical experience for all who attended, and viewed the event on television" says Danny Aaron, from Drum Cafe. 

    The opening ceremonies also employed some of the most creative ideas seen at an Olympic opener and will no doubt help to stimulate new possibilities for those looking to do something really special for their next meeting or special event. 

    Beijing Opening Ceremonies - Links, Video and Slideshows

    http://ruactivate.wordpress.com/2008/08/22/beijing-olympics/
    ]]>
    August 8, 2008
    <![CDATA[SABCnews.com - sport/olympics]]> http://www.drumcafewest.com/news/news08080802.aspx
    http://www.sabcnews.com/sport/olympics/0,2172,174857,00.html
    ]]>
    August 8, 2008
    <![CDATA[Drum therapy Here’s a unique workshop that drums the T into teamwork with music KEVIN LOBO - Mumbai Mirror - 3 September 2008]]> http://www.drumcafewest.com/news/news09040801.aspx Link to Mumbai Mirror


    All you bosses out there, frustrated because you aren't getting your colleagues to work as a team? Ever wanted to drum the concept of teamwork into their heads? Do just that, with the South African team builders, Drum Café. Using djembes, they get teams to bond as they make music together. 

        Drum Café was also part of the Beijing Olympics opening ceremony, but this was just a performance. Unfortunately, Tore, who is heading Drum Café in India, missed out on it because he was still setting up in India. He says, "We came down to India just three months ago. So we still aren't as busy as we are supposed to be." 

        So how do African drums help team building? "When you have a hundred people hitting the drums at the same time, you have a sense of achievement once you make music. We also break the people up into groups. Each group plays a different sound and they all come together in the end," explains Tore. 

        This is exactly what they have been doing at workshops at Bootleggers Pub in Colaba every week. Drum Café provides drums and other percussion instruments to participants. The workshop is followed by a livewire performance where people can dance and let their hair down. 

        They also conducted a workshop at Umang. The happiness on the faces of the kids as they crazily hit the djembes in unison was a sight to watch. 
    ]]>
    August 1, 2008
    <![CDATA[The Times of India]]> http://www.drumcafewest.com/news/news05300801.aspx

    Rahul Nanda's favourite beat!


    30 May 2008, 0000 hrs IST,TNN


    Rahul Nanda (TOI photo) More pics
    This time around, Rahul Nanda’s party had an unusual beat to it.


    No, we’re not just talking about the vibes emitting from this late-night bash, but the drum beats that resounded from Dr Vinod Hassal’s huge South African drums, which all the guests took turns to play. Hassal, who has brought the Drum Cafe Movement to India, first entertained the guests with a live performance, after which he cheered them on as they tested their own musical abilities.

    So you had Anil Deshmukh, Roopkumar Rathod, Suhas Awchat, Divya Palat and Aditya Hitkari all playing the drums and Ashmit Patel dancing like no-one was watching. But, well, everybody was! And while Viren Shah drummed along, Brinda Parekh did the same on Viren’s head!

    South African Consul General Busi Kuzwayo loved the sprinkle of South African culture at the do, Madhu Nair was seen on the scene after a while, Remu and Naaz Jhaveri mingled with their friends, most of whom appreciated Naaz’s glittering tattooes, Vikas Bhalla and wife Punita caught up with Shekhar Suman, while Brian Brown, newly-weds Preeti Jhangiani and Parvin Dabas and artist Soketu Parikh were also spotted.
    l RED ALERT! Women add a touch of colour to their all-black ensembles by wearing red nailpaint. Kishin Mulchandani wears red shoes instead!
    Discuss this story with other readers. Click on 'Discuss' link at the top and bottom of the story. To know more about this feature click 'here'.
    ]]>
    May 30, 2008
    <![CDATA[Drum Cafe in Vancouver Energizes Dominelli Carnevale body art competition]]> http://www.drumcafewest.com/news/news06010801.aspx

    Last night, some of the best body art you could imagine was on display at the Italian Cultural Centre in Vancouver.

    Dominelli International College of Esthetics presented its 14th annual body art competition at a banquet to benefit the British Columbia Professional Fire Fighters' Burn Fund.

    Models spent many hours beforehand being painted by the artists. Each artist chose a country, and tried to highlight its culture, language, and even widlife and geographic components.

    The winner was Samantha Rae, who made model Regina Bair look like a Masai warrior, complete with a spear and traditional head gear. It was stunning to say the least.

    Rae, a professional body painter since 2002, has worked in film and television, and won the Dominelli competition last year.

    The second-place finisher was Lucie Brouillard, who painted Spain on model Nicole Pilich. Brouillard, who won the national body-art championship in Calgary on May 2, featured a spectacular Spanish guitar across Pilich's chest and stomach.

    The third-place contestant was Jennifer Little, who painted Canada on the body of model Sky Foletto. Little's design included an impressive Inukshuk on Foletto's back. So far there haven't been any lawsuits filed by Vanoc for violating any Olympic trademarks.

    Live entertainment included performances by baila vancouver, Harbour Dance jazz dancers, and Drum Cafe, which got the crowd roaring with its interactive performance.

    The judging panel was chaired by renowned hair designer Richard Jeha.

    ]]>
    May 30, 2008
    <![CDATA[Hassal, who has brought the Drum Cafe Movement to India]]> http://www.drumcafewest.com/news/news06010802.aspx These dudes sure have a beat!by Times News Network This time around, Rahul Nanda’s party had an unusual beat to it. No, we’re not just talking about the vibes emitting from this late-night bash, but the drum beats that resounded from Dr Vinod Hassal’s huge South African drums, which all the guests took turns to play. Hassal, who has brought the Drum Cafe Movement to India, first entertained the guests with a live performance, after which he cheered them on as they tested their own musical abilities.

    So you had Anil Deshmukh, Roopkumar Rathod, Suhas Awchat, Divya Palat and Aditya Hitkari all playing the drums and Ashmit Patel dancing like no-one was watching. But, well, everybody was! And while Viren Shah drummed along, Brinda Parekh did the same on Viren’s head!

    South African Consul General Busi Kuzwayo loved the sprinkle of South African culture at the do, Madhu Nair was seen on the scene after a while, Remu and Naaz Jhaveri mingled with their friends, most of whom appreciated Naaz’s glittering tattooes, Vikas Bhalla and wife Punita caught up with Shekhar Suman, while Brian Brown, newlyweds Preeti Jhangiani and Parvin Dabas and artist Soketu Parikh were also spotted.
    ]]>
    May 30, 2008
    <![CDATA[revelling in cross-cultural grooves]]> http://www.drumcafewest.com/news/news05240801.aspx
     STAGE REVIEWS
    Revelling in cross-cultural grooves
    May 23, 2008

      By Adrienne Sichel

    Ancestral Grooves

    Performers: Mzantsi Traditional Orchestra. Guest artists/trainers: Pops Mahomed, Anthony Caplan, Ross Johnson.

    Director: Laurie Levine.

    Where: Old Mutual Theatre on the Square.

    When: Today, lunch-hour concert at 12.45pm and another concert at 8.15 pm. Saturday at 6 and 9pm.

    Rating: *****
     

    It makes perfect South African sense: a cellist swopping his cello for a segankuru (Tswana tin can bow); a saxophonist deserting his sax for a kudu horn.

    Ancestral Grooves, the showcase for the revived, pared down, Mzantsi Traditional Orchestra, is all about crossing over musically and culturally from the contemporary to the traditional and back again. This is an experiment, spawned by the Drum Café and developed on National Arts Council and Basa grants, whose time has come.

    For three months 10 young musicians, under the vigilant eye and ear of composer and conductor George Gobingca Mxadana and trainers Pops Mahomed, Anthony Caplan and Ross Johnson, either discovered or expanded their knowledge of our African musical heritage.

    And treasures are there for the taking (the various bows, pipes, horns strings and xylophones) with knowledge and respect.

    Apart from getting their fingers and lips around the instruments, the challenge of this ensemble has been, to quote Pops Mahomed, "to discover what we don't know". For one, who knew that Michael Jackson's Billy Jean could strut and moonwalk around so effectively on marimba? Or that Abdullah Ibrahim's Mannenberg (arranged by Mahomed) is even more hauntingly beautiful when the umaKhweyana (calabash bow), kalimba, mbira and marimba set fire to the melodies?

    Part of the training was vocal . Not all of the musos are up to speed in that department. The launch performances also contained some jarring moments. Bass guitarist Bigteddi joined George Mxadana to sing Libiamo, from La Traviata, accompanied by marimba. Not a good idea. As someone in the audience noted: they do this in Cape Town - with real opera singers.

    The four women, Drumstruck's ace-drummer Tiny Modise joined on marimba by Basadi Le Moropa's Xoliswe Mjali, Juliet Qhobosheane and Mpho Rasenyalo, bring versatility and vitality to the orchestra, but their style of dancing is often inappropriate, the choreography too showy. 

    The arrangements by Antony Caplan and marimba and pennywhistle maestro Ross Johnson (the mlungu with masses of rhythm) are a treat. Part of the experimentation is looking beyond the traditional specialists. Neill Solomon's arrangement of Yello's Oh Yeah, highlighting sekgankuru, ixilongo (irrigation pipe flute) and marimba, really rocks.

    Ancestral Grooves is an odd mix of lecture-demonstration, commercial pitch and amazing musicianship. Lurking amid the clap-along its lekker-to-be-African Drum Café vibe is a revolutionary concept and a substantial show. The Mzantsi Traditional Orchestra has the potential not only to invigorate composing and music-making, but to keep ancient rhythms and sounds alive.
    ]]>
    May 23, 2008
    <![CDATA[Drum Cafe Performs for HEB in Waco Texas]]> http://www.drumcafewest.com/news/news05270801.aspx HEBI work for H.E.B. Central Market. We had a meeting in Waco, Texas last month and I will never forget it because of the drum cafe. I may be slightly bias because I write songs and I love all music but ignoring that, the Drum Cafe experience was so moving that I had to write and express my appreciation for the talent that those leaders possess. I think what impressed me the most is that when we entered the room, the Drum Cafe was already playing and the room was set up with drums in all the seats and the leader didn't say a word, he just started motioning for us to hit the drum. It felt like an hour before he actually spoke. We fell right into it and it was amazing. I"m glad it was at the end of the day because that made the entire day of meetings so worth it. I have 4 kids and not much money but any way I can support The Drum Cafe, I will. I believe music is so important to children, for therapy, it truly is life changing. I believe The Drum Cafe will change many lives in the pursuit of success in business. I pray for more opportunities for The Drum Cafe to reach out to people who need it even though they don't know it. God bless you and thanks for sharing your talent!

    Donna Burkhalter - Employee of HEB who attended the conference


    ]]>
    May 22, 2008
    <![CDATA[Redefining Customers. What does it mean to be customer centered?]]> http://www.drumcafewest.com/news/news05260801.aspx

    « What Does it Mean to Be "Customer-Centered"? | Main

    Redefining Customer

    DrumI had a great time yesterday in Indianapolis. I was asked to give the keynote address atInteractive Intelligence's (I3) annual User Forum. Don Brown, Joe Staples and the entire team at I3 were wonderful hosts and literally had us dancing in the aisles to a contagious and exciting beat.

    My address was around the concept of redefining the word "customer." Here's the cliff notes:

    • Technology has exploded and we have an unprecedented amount of options, information, channels of communication, and opportunities. Companies often respond in denial, oversimplification or unproductive industry comparison which leaves the customer out of the equation.
    • Technology allows us, even compels us to narrow our definition of customer, to understand that customer segments and channel segments within our customer base may have different expectations.
    • The growth of support networks with the organization needed to serve the end-user customer requires that we expand our definition of customer to include internal customers.
    • The changing definition of customer requires us to take another look at how we are doing customer research and Quality Assessment within our organizations so that we are harvesting the best, most useful data upon which to make tactical decisions which will positively impact the customer.

    Thanks again to Jennifer Brown, Vanessa Brothers and everyone at I3 for the opportunity!

    Photo courtesy of drum cafe.

    Email this • Subscribe to this feed • Add to del.icio.us • Hire Tom to Speak to Your Team • Do You Really Know Your Customer? • Technorati Links

    ]]>
    May 21, 2008
    <![CDATA[MUSIC NEWS Time to give traditional music its due]]> http://www.drumcafewest.com/news/news05240802.aspx
     MUSIC NEWS
    Time to give traditional music its due
    May 20, 2008

    By Kgomotso Moncho

    Fact: Traditional music does not get the credit it deserves in SA. But the fight for its preservation has not ended. It's now moving to theatre.

    Ancestral Grooves, a groundbreaking production featuring the Mzantsi Traditional Orchestra (MTO) opens on Tuesday, at the Old Mutual Theatre on the Square for a short run.

    It's directed by singer/songwriter Laurie Levine. Arrangements are by some of the country's renowned composers, musicians and indigenous instrumentalists as well as Pops Mohamed, Anthony Caplan, George Gobingca Mxadana, Ross Johnson and Neil Solomon.

    The show is a combination of SA's nearly extinct traditional instruments with an assortment of Western ones. Expect to hear reed pipes, kudu horns, Venda drums, sounds of the bushman trance, marimbas and mbiras alongside cellos, guitars and house beats.

    It is Levine's directorial debut. As a freelance researcher and writer, she wrote a book, Traditional Music of South Africa, for the Drum Café, in 2005 and worked within and developed the organisation's African Music Agency department. The Drum Café, a sponsor of Ancestral Grooves, invited her to direct the production.

    "It's been interesting directing this show. It's challenging to work with 10 people. The focus is to place traditional music in a modern fashion. There will be a lot of singing as well," Levine said.

    The MTO, launched in 2003, is SA's first traditional orchestra. The ensemble has been limited to 10 members due to budget constraints.

    Talking about the aesthetics of traditional music, Levine said: "Compared to Western music African music is played differently . 

    "It is better when played in a group. It is spontaneous and more relevant to a community. It tends to have a haunting sound that I have never heard before."

    On working with Pops, who is known for his contribution to the preservation of traditional music, Levine said: "He brings a beautiful feel to the music. He has an interesting ear and it's very sensitive."

    Pops performs on four pieces in the show and has been acting as a mentor to the MTO. 

    "My job has been to teach them to sing traditional songs. We do a song by Abdullah Ibrahim called Manenberg. On it the ladies play marimba, it's beautiful. 

    "We also do My Baby Just Cares for Me, by Nina Simone and we add marimbas and mbiras to it."

    But his vision for Ancestral Grooves is bigger than the show. "I want to give the audience something to think about. We have invited people from radio stations - they shun indigenous music. We're hoping to open their ears to traditional music."

    One thing is for sure, traditional music will never be extinct so long as it has people like those involved in Ancestral Grooves fighting for it.

  • Ancestral Grooves, today to Friday, at 8.15pm, lunch-hour concert, at 12.15pm, and on Saturday, at 6pm and 9pm.
  • ]]>
    May 20, 2008
    <![CDATA[Ancestral Grooves explores Africa]]> http://www.drumcafewest.com/news/news05080801.aspx
    Ancestral Grooves explores Africa
    PDF Print E-mail
    Written by Lucille Davie   
    Thursday, 08 May 2008

    he 10-members of the Mzantsi Traditional Orchestra

    Indigenous and western music is fused to create innovative and exciting sounds by the Mzantsi Traditional Orchestra, using instruments from both traditions.



    An orchestra member playing the UhadiFEEL like so me different grooves to listen to, maybe something that takes you back to the distant past? Then you're ready for Ancestral Grooves.

    The Mzantsi Traditional Orchestra takes some of Africa's almost extinct instruments and combines them with western instruments to create a unique sound, a sound that stirs primeval feelings in the listener. The show will have a short run in Sandton in May.

    The 10-member orchestra was launched in 2003, playing at the opening

     of Nelson Mandela Bridge in Newtown in that same year. In 2004, it played with the Drum Café's Drumstruck at the Market Theatre, with 40 choristers and 40 instrumentalists performing to a standing ovation.

    Wendeen Lipschitz, the managing director of the orchestra, says of the show, "Our goal was to create vibrant music incorporating indigenous music in modern sounds."

    This is done by combining western instruments like the guitar, cello, saxophone, pennywhistle and drums, with reed pipes, kudu horns, marimbas, mbiras, and string instruments called umakweyanas and uhadis.

    Playing the kudu horns is not easy

    "This music is cutting-edge, modern, relevant and exciting," says Laurie Levine, the director of the production, and a singer and songwriter. She recently wrote the bookTraditional Music of South Africa

    While researching indigenous music for her book, Levine discovered that there are only a handful of musicians who have produced fused indigenous and western music. "This music has not been explored before."

    She says that traditional music has had to be adapted to include western music. The work of five composers will be played in Ancestral Grooves: Anthony Caplan, Ross Johnson, Pops Mahomed, George Mxadana, and Neill Solomon. Some of the composers have helped with the arrangements of their songs.

    Caplan, Johnston, Levine and Mxadana will be guest artists on the show.

    "We have tried as much as possible to include all indigenous instruments," says Mxadana. Those that didn't make it into the show this time will be incorporated in future performances.

    Drums and cello blend perfectly in Ancestral Grooves

    All the musicians play more than one instrument, says Levine, and Mxadana has done the vocal training of the group, which is singing for the first time.

    Levine says there have been several challenges in playing these instruments, some of which are fragile and need to be handled with care. Others have only one key and therefore the numbers have had to be carefully planned. In addition, African tuning systems are hard to adapt, further putting pressure on the arrangements.

    Their sounds are also softer than western instruments, again requiring adaptation of western instruments. "Learning these instruments has been intense and challenging for the musicians."

    The repertoire will consist of iconic African and western songs, with new and old compositions.

    Ancestral Grooves is on at the Old Mutual Theatre on the Square in Sandton from 20 to 24 May, with a lunch-time show on Saturday. Tickets are R100 and are available from Computicket on 083 915 8000 or 011 340 8000, or through the Computicket website.

    Related stories:

    ]]>
    May 8, 2008
    <![CDATA[Drumming for Profit - Drumstruck on Broadway]]> http://www.drumcafewest.com/news/news05150501.aspx
    The New York Times The New York Times Theater Stay plugged in to technology for FREE 
     



    DIRECTIONS

    Drumming for Fun and Profit

    Nomvula Gerashe and Enock Bafana Mahlangu in ''Drumstruck'' at Dodger Stages.
    Nomvula Gerashe and Enock Bafana Mahlangu in ''Drumstruck'' at Dodger Stages.

    By ERIC GRODE 

    Published: May 15, 2005

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    SHOW DETAILS
    . Drumstruck

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    Vern Kousky
    Employees at Benchmark Hospitality International during a corporate session run by the Drum Cafe.

    Over the years, many entertainers have learned that the skills that can move an audience to laugh or cry can be more lucratively employed inspiring a roomful of executives to sell cars or computers. With the arrival of "Drumstruck" at Dodger Stages, that process has been reversed: a corporate motivational business has spun off an Off Broadway play.

    The South African entrepreneur Warren Lieberman has spent the last eight years developing an international business based on a seemingly endless supply of hand-carved African djembe drums. In his corporate programs, which grew out of weekly jam sessions held at his Drum Cafe in Johannesburg, anywhere from 15 to several thousand participants, each equipped with his or her own djembe, develop team-building skills by drumming in unison. "It breaks down barriers of age, race and gender with a unifying activity," said Aviva Nash, a high school classmate of Mr. Lieberman who runs the New York City branch of the business (www.drumcafeny.com). "From the mailroom guy to the C.E.O., every member is as important as the other." At "Drumstruck," which begins previews on Thursday, each seat will hold a two-foot-tall drum, and audience members will join the show's 11 South and West African percussionists in making a rhythmic racket. "Drumstruck" has had successful engagements in Johannesburg and Sydney, Australia, although the motivational business is likely to remain Mr. Lieberman's profit center: an hourlong Drum Cafe session, which comes with a facilitator and a team of African drummers, can be pricey. A Japanese pharmaceutical company shelled out $35,000 to outfit some 1,200 employees. (The New York branch counts BMW, J.P. Morgan Chase and Red Bull among its clients.)

    The fact that those corporate audiences tend to have sufficient disposable income to shell out $61 or more for a ticket has not escaped Mr. Lieberman, who began developing "Drumstruck" in 2001. " 'Drumstruck' and Drum Cafe definitely complement each other," he said. "We did a lot of marketing to our corporate clients when 'Drumstruck' opened. In South Africa, our biggest audience is people who have experienced a Drum Cafe event." Does that make returning customers re-percussions?






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    May 15, 2005
    <![CDATA[FedEx Employees in San Antonio Find Rhythm Working Together.]]> http://www.drumcafewest.com/news/news02030401.aspx

    FedEx Employees in San Antonio Find Rhythm Working Together.

    Byline: Sanford Nowlin 

    Feb. 3--It's a not-so-quiet morning at the Westin Riverwalk hotel as a group of 130 FedEx employees files into one of its ballrooms. 

    The floor shakes as nine musicians in intricately decorated dashikis pound out an infectious rhythm on an array of African drums. 

    A few of the FedEx workers -- visiting San Antonio for a sales conference -- tentatively try to replicate the beats on African djembe hand drums resting on each of their chairs.

    Others, still clutching their morning cups of coffee, simply look confused as they move the carved wooden drums aside and take their seats. 

    Eventually, one of the percussionists runs to the front of the room and like a hybrid of Tony Robbins and Tito Puente leads the group through a series of drum exercises that are as much about building corporate teamwork as they are keeping time. 

    "We're going to learn a little bit about listening today," says Michael Enderle, the man working the crowd, as he slaps the djembe slung over his shoulder. "We're going to learn how to share space and how to create space." 

    Within 75 minutes of the program's start, FedEx staffers are enthusiastically thumping along with the drummers at the front of the room and dancing in a circle as Enderle urges them to apply the lessons they learned to their daily work. 

    As Enderle brings the session to a close, they give his group a standing ovation. Several come to the front of the room to plunk down $125 to buy the drums they played. 

    Drum Cafe, the company owned by Enderle and business partner Dale Monnin, has been staging such events around San Antonio for about a year. It's among a growing number of groups worldwide that use drumming to bolster corporate training, relieve stress and promote health. 

    "You can explain a concept to someone or have them read about it, and that's one thing," said Enderle, who spent 20 years in human resources at companies like Sony and Clarke-American. "But when the person actually experiences that 'boom!' -- the unity of everyone hitting the beat on the one -- they get it. They really understand." 

    Enderle and Monnin have used Drum Cafe events to help companies teach lessons in diversity, team-building and leadership. Just a year old, the company now is working 15 to 20 such engagements a month. 

    And in a sign that drum circles aren't just for the dreadlocks-and-patchouli crowd anymore, its clients include SBC Communications Inc., Motorola and World Savings & Loan, in addition to local hospitals and schools. 

    Enderle and Monnin meet with clients before staging their drumming events to find out what training messages they want to incorporate. They then tailor their program to fit the client's objectives. 

    A session aimed at improving leadership skills might allow group members to take turns directing beats and tempos, for example. One aimed at diversity might focus on the unifying power of making music together. 

    About half of its corporate customers are from outside San Antonio and retain the company to work conventions, meetings and training sessions here. 

    "Being in San Antonio, we realized the kind of convention and conference market there was here," said Monnin, who holds an international business MBA. "It turned out to be a good advantage for us." 

    Drum Cafe operates as an affiliate of a South African company of the same name. Its parent has been using drumming as a teaching tool for seven years, conducting events in 16 countries. 

    Monnin caught the drumming bug when he was working for a software firm in South Africa in the late '90s. It was there that he met Drum Cafe founder Warren Lieberman and began working with African percussion instruments. 

    "It was a powerful experience," Monnin said. "I got all sorts of ideas about taking it with me when I left." 

    He and Enderle met in 2000 at a Dallas percussion workshop and discovered they both were interested in combining drumming with corporate training. Both were living in San Antonio at the time, and joining their business interests made sense. 

    So far, South Texas seems to be taking to the company's South African concept. 

    Jim Dreher, World Savings' national training director, has hired Drum Cafe twice since November to help conduct training exercises at the company's West San Antonio corporate campus. It's got two more sessions in the pipeline. 

    "At first (their program) is a little intimidating for our employees because we're bankers and we tend to be a bit stodgy," he said. "Then they start getting into it and realize, 'hey, this is kind of fun." Afterwards, they're talking about it and laughing, and if they're doing that, you know you had a hit." 

    The University of Texas at San Antonio hired Drum Cafe in December to provide teamwork and motivational training for 60 of its academic advisers. 

    "We got a whole lot accomplished in a very fun way," Linda Chalmers, executive director of the university's adviser program, said. "People told me it really helped them understand our mission better. They felt like they were energized by the experience." 

    Enderle and Monnin wouldn't say how much they charge clients for their programs, but people who have used the service said it can run several hundred dollars to several thousand, depending on how large and how long a session is. 

    "I say that we're more expensive than mariachis and less expensive than George Strait," Enderle said. 

    While Monnin and Enderle expect to quadruple Drum Cafe's sales this year over 2003, it wasn't easy at first to -- ahem -- drum up clients. 

    That began to change after they held meetings with the San Antonio Convention and Visitors' Bureau, local resorts and meeting planners to make them aware of what they could offer companies holding conventions and meetings here. 

    Rather than sitting across the table and passing out business cards at those meetings, the two brought drums and gave a hands-on demonstration of their services. 

    "When we come in and show a disparate group of people how they can come together through the power of music, it's very effective," Monnin said. "If they see it works with their small group, they'll understand that it can work for that larger group of people they may be bringing to town." 

    To see more of the San Antonio Express-News, or to subscribe to the newspaper, go to http://www.mysanantonio.com 

    (c) 2004, San Antonio Express-News. Distributed by Knight Ridder/Tribune Business News. 

    TICKER SYMBOL(S): SBC, MOT, GDW, FDX

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    February 3, 2004